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Bonobo has turned a track into a tranquil, trippy VR journey

FrontFX Magazine

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If virtual reality is for anything, surely going on a musical trip is what it’s for.

So it’s fitting that Ninja Tune artist Bonobo is making a step into the world of virtual reality. And stepping into “Outlier” (off the album Migration) in virtual reality form is really like taking a trip – the song itself becoming a pathway.

Built for Google’s Daydream platform, the “Outlier” VR app first prompts you to steer through a landscape with your controller, the song advancing toward you as glowing space-y, misty abstract hills and portals. You then summon a flock of birds, which you guide through rings and pulsing sonic visualization.

The creators are quick to note that everything here is intended to have a one-to-one correspondence of music to visual event. Rather than sound and musical score being wallpaper pasted on the back of the experience, then, the whole environment seems to be generated by the sounds themselves. Colors shift with the timbres; lights and outlines pulse and ripple with all of Bonobo’s dreamy musical flourishes.

The project is a collaboration between Bonobo and VR shop Horizons Studio. As co-founder Yuli Levtov emphasizes in the press release:

“Unlike most other music VR experiences out at the moment, every scene in Horizons has been imagined with musical interaction as a core principle. Much like a music video director creates a visual story that fits the music, we create layers of interactivity that allow people to make their own path through the music. The track becomes more like an explorable playground that you actively engage with, rather than something with a set length that you’re just watching.”

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The music itself seems still relatively linear, but certainly you have the feeling of placing yourself in its progression. And that creates a sense of space and immersion that deepens the feeling of synesthesia – making visual and sonic elements inseparable.

And the audio playback is generative, as are the visuals, powered by Reactify – a project spiritually descended from the earlier RjDj, in endeavoring to make reactive music a reality. The upshot here is that the song isn’t just something that plays end-to-end – nor are the visuals locked to some fixed playback – but rather a world you can enter and traverse at the pace you desire.

It’s all a free download … and some very nice bait to get on this platform or at least one like it. If VR is escapism, that is, here’s a world you’d want to escape into. And as music has gotten more insubstantial and flat, losing even its fantastical album covers, here’s a view of the track and album as something to get lost in all over again.

Credits:

Created by Owen Hindley, David Li, Leif Podhajsky and Reactify
Additional support from Peter Cardwell-Gardner and Richard E Flanagan

If you like this, it’s one of three. Reuben Cainer and My Panda Shall Fly are also available.

More: http://horizons-vr.com/ [including how to download if you have a compatible device]
The album: http://bonobo.lnk.to/migration/
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What you need to run this: First, you need a Daydream-compatible phone – see the complete list from Google, but it’s Google’s Pixel and the latest handsets from Moto, Huawei, Samsung, and so on. And you’ll need the accessories – Daydream View (remote and headset).

Here’s a 360-degree playthrough from the developers of Reach, to give you a feeling for this:

And more beautiful screens from the Bonobo outing:

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Via CDM

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Cutting-edge projections by teamLab at Asian Art Museum of San Francisco

FrontFX Magazine

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The pandemic-delayed expansion features an interactive exhibition by the Japanese contemporary art collective that was designed to disorient

The Asian Art Museum of San Francisco opened its pandemic-delayed $38m expansion by the architect Kulapat Yantrasast at 23 July with Continuity, a new immersive exhibition by the Japanese art collective teamLab. During an early walkthrough The Art Newspaper took of the addition, the installation’s visuals were being tweaked on a laptop by Adam Booth, the collective’s art director of computer graphics. Around the gallery, projections of flowers and butterflies were falling and flying. When told the experience was all a bit disorienting, Booth said with a soft smile, “That’s the idea.”

The museum’s director Jay Xu saw teamLab’s work during a visit to Japan about seven years ago, and thought it would be an ideal way to launch the museum building’s new addition. The Asian Art Museum became the first American institution to acquire a work by teamLab, according to Robert Mintz, the museum’s deputy director for art and programs, and it now owns two, Cold Life and Life Survives by the Power of Life. The solo show stitches together about ten different works, with projections on the gallery walls and floors. Some components are interactive, such as digital flowers growing around your feet.

This all fits into Yantrasast’s mission for the expansion, which he sees as “a dynamic balance of the rejuvenation of the historic Public Library building with the programs and activities of the core collection, as well as the addition of contemporary art and technological experiences in the museum,” he says. The addition adds a total of 15,000 sq ft of space across two levels. The main gallery, the Akiko Yamazaki and Jerry Yang Pavilion, is one large column-free 8,500 sq ft space meant to offer maximum flexibility for exhibitions and programming. On top of that is the East West Bank Art Terrace, a rooftop sculpture garden currently featuring Ai Weiwei’s Fountain of Light.

Audiences are clearly hungry for enhanced art experiences, and the museum is in competition with more commercial art shows in the city. Part of a national craze, The Immersive Van Gogh Exhibit San Francisco at the event space SVN West has been open since 18 March, with tickets priced at $39.99 to $49.99, and has been extended through 19 September “by popular demand”.

Michelangelo’s Sistine Chapel: The Exhibition opens in September at Saint Mary’s Cathedral, promising up-close looks of the Vatican masterpiece through photographic enlargements, with tickets starting at $21 for adults. And Monet by the Water kicks off its tour in San Francisco in December at a currently “secret” venue.

But Mintz believes that the teamLab show offers more value, with admission just $5 over the regular $10-$15 entry to the museum. His calculations might be right: at the beginning of the week, the museum had already sold more than 17,000 tickets for the special exhibition, with the first eight days completely booked.

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